Art is the sum of imagination and reality.: 2025

Monday, September 8, 2025

The Fermi Paradox, the ultimate test.

Scientists suggest that all alien civilizations will collapse. Before they reach interstellar flight capacity. That is one of the things that causes big worries. Because we are also one of the civilizations. What makes us different than those still hypothetical aliens, who create a super weapon and then turn it against their own population. This is one of the things. Those are not very often mentioned. This is the thing. Called the final test in the civilization's ability to reach the Kardashev scale 2. The final test is this. The civilization must stop wars before it reaches Kardashev scale 1, which means it can travel in its solar system. The Kardashev scale 2 means that civilization can travel between stars.

The big test is in the case. Where civilization faces some kind of ultimate threat, like a rogue planet. That enters their solar system. They must detonate that planet, or it will cause a lot of destruction. That requires an ability to create antimatter weapons or relativistic ammunition. The relativistic ammunition will be sent through the large linear accelerator. The satellites that go together like LEGOs. And they involve the channel that forms a giant particle accelerator. Or the so-called Gauss track. The RKV ammunition can be. The metal needle that the magnetic system accelerates to a speed. That is about 20-50% of the speed of light.

When that ammunition hits the target, even a large planet will be destroyed. The anti-matter weapon can be a particle accelerator that uses photon-accelerated positrons. Another version is the small magnetic tank, where those positrons can hover. The railgun can shoot that tank against that incoming planet. Those systems are tools. That can turn evil. In the wrong hands. Those superweapons are tools. That power-hungry actors can use as blackmail the entire civilization. The thing that destroys those civilizations is the war against their own colonies. There is a possibility that those colonies.

This civilization uses those colonies. To exploit its solar system’s resources. Can turn rebellious. There can be power-hungry leaders who prosecute their home planet for colonialism. And that can turn this Kardashev scale 1 civilization into a civil war. Another question is this. Can this thing be the end of human civilization? If the ultimate end of civilization is civil war, how can we be an exception? When we talk about things like the costs of interstellar flight, we face the fact that there are always points where the money doesn’t mean.

First, this hypothetical alien civilization might have a different culture. And maybe they don’t care about money. And the point when their star starts to expand is the ultimate final point. Civilization must create ships that take those creatures to other solar systems. Or they will face extinction. The highly advanced civilization can use zombie stars as a power source. They must only drive material to the white dwarfs or the neutron star’s shell. But they must survive the supernova or nova eruption. That can be very violent. The question is always this.

Can we avoid that situation? Well, the fact is this: sooner or later, our Sun will expand into a red giant. In this case, the sun will destroy our planet. If our descendants exist. They must move away, or the red giant burns them in an inferno that we cannot even imagine. When the sun uses its fuel. That star known as the Sun explodes as a nova. The result is a white dwarf. Maybe. Our descendants can create space stations. that can survive that event. And then they can start to drive material, like ions, to the white dwarf shell. Or they can create lots of solar sails and send those crafts to the galaxy using the nova eruption as a booster.

When we talk about things like generation ships. We face one. Very big assumption. We always think. Those crews that travel with those slow spaceships are sent by a civilization that waits for them to return. The thing is that there is a possibility that those crews left from the solar systems that were destroyed a long time ago. That means those ships might have left their solar system in the final moment. And that means there might be nothing waiting for those crews. That is one hypothesis that should make us afraid.

https://www.rudebaguette.com/en/2025/09/weve-hit-the-universal-limit-scientist-claims-all-alien-civilizations-collapse-before-reaching-interstellar-travel-while-humanity-approaches-technological-dead-end/

Sunday, September 7, 2025

The Shroud of Turin is a fake. From the 13th or 14th century.

"A newly uncovered medieval document challenges the authenticity of the Shroud of Turin, long believed by many to be Jesus’ burial cloth. Credit: Dianelos Georgoudis"(ScitechDaily,Was Jesus’ Crucified Body Wrapped in the Shroud of Turin? Newly Found Medieval Text Declares Relic a “Clear Fake”)

"A leading Shroud of Turin scholar says the findings are “further historical evidence that even in the Middle Ages, they knew that the Shroud was not authentic.” (ScitechDaily,Was Jesus’ Crucified Body Wrapped in the Shroud of Turin? Newly Found Medieval Text Declares Relic a “Clear Fake”)

Researchers found marks. The famous Shroud of Turin is fake. from medieval times. That means the shape of the creature in the Shroud of Turin could belong to some medieval knight. That means there cannot be a Jesus Christ who was buried in those shrouds. But the Shrouds of Tourin are a remarkable and still very mysterious thing. In the 13th or 14th century, religion was a very serious matter.

“For instance, a recent study published in Archaeometry used 3D analysis to argue that the cloth had been draped over a sculpture rather than a human body. Radiocarbon dating has also placed the linen’s production in the late 13th or 14th century.”(ScitechDaily,Was Jesus’ Crucified Body Wrapped in the Shroud of Turin? Newly Found Medieval Text Declares Relic a “Clear Fake”)

That means people who made that fake were in a very big danger. If those people were caught faking the relics, their fate was in the bonfire. That was the only known punishment for faking those things. If those people who created that fake were caught. That meant extortion and bonfire execution. And did they go to church to sell that thing?

This means there should be something that made people create that thing. Shrouds of Tourin is mysterious because it's fake. Who was the person whose image was in that relic? And why did somebody defy their fate to make that thing? Even if that person buried in that relic wasn't Jesus? That doesn’t remove the mystery of that relic. The mystery is who selected that person to play Jesus? And who was that person whose shape is in that relic? Why did that person or his family allow him to be used as a model for a portrait? If somebody played Jesus in medieval society, they would be in great risk.

https://scitechdaily.com/was-jesus-crucified-body-wrapped-in-the-shroud-of-turin-newly-found-medieval-text-declares-relic-a-clear-fake/

Silence in fog.

The fog covers the things that surround us. So, we see only objects that are near to us. We can see the dock that is away from the dry land. We can see that a dock is a distinct entity. In many horror and detective stories. The ghosts are hiding in the fog. With supernatural and natural creatures. that hides the light.

In old novels. London fog covered many real and fictional criminals, and sometimes I think that the horrible murders that Jack the Ripper committed would not have been possible if the fog hadn’t covered those things. Fog symbolizes a calm and silent moment. that just waits for something. That turns everything around. If we take pictures in the foggy weather, we can create an illusion that the thing that we introduce is separated from everything else.

There is only an object that hovers in the white in the middle of nothingness. In horror movies, nuns vanish in the dark, foggy weather, and the supernatural screams fill the air. The fog plays a great role in Sherlock Holmes' classic novel “The Hound Of The Baskervilles”. And it plays a big role in modern horror movies like “The Fog” and “Pet Cemetery”.

But we know that the dock is part of the entirety. Some people say that when they are so-called fake dead, they are lying in a boat that travels in the fog. These kinds of things are very nice things to read. But why are there so many people who want to terminate those experiences as hallucinations? Don’t people need some hope that there can be something after the final moments? That is one of the things. That we should think about. When we write things like death. Fog makes things look calm. It makes the observer think that everything is calm, but still, something waits. We know that when fog rises. Pirates rise to the ship deck in the fog.

Seas turn dangerous in fog. When visibility is low, there are always risks. And in many crime stories, the fog is the key element for successful crime. Fog is the thing that covers details. There is a calm. But at the same time. Threatening feeling. We know that fog doesn’t remain forever. Suddenly, the wind blows the fog away. And we can see details that the fog hides. Fog just waits to be removed, and then the next chapter begins. The fog leaves a path to people who dare to look at the thing that the fog hides. It’s the estrade for fearless men and women who want to stop the madness.

Just like Sherlock Holmes sees that the monster he hunts is some hybrid of Bullmastiff and Danish dog. When we don’t dare to see something, it turns it bigger and stronger than it ever can be. When we dare to look at things. That we are afraid, we can see how horrible it really is. Maybe it's horrible. When we see that thing, we can see that there is nothing supernatural. Sometimes people think that things like bears are werewolves. Bears can raise up, and they really look like wolves, especially in fog.

Thursday, September 4, 2025

The moonbridge

At some point in the past, people believed that druids created the moon bridge. They believed that moonbridge is the path to heaven. There is a tale that Moonbridge is the path to great treasures. When people believed that moonbridge made them wealthy, they forgot what real capital and real treasures are. Are treasures some kind of gold boxes? Or was there something more than just gold?

If there are some gold boxes, why were some people buried with those gold boxes on some lonely islands? Why didn't they take their coffins themselves? Why did those people, who buried their coffins in a distant island's sand, not take those gold ingots with them? How could those pirates think that they would get their gold from islands that are thousands of kilometers away from their home? Did they rent a ship that takes them to the island that was very far away? Why didn’t they bury those things under their house?

We can say that druids' treasures are something more than just gold. They believed that wisdom and understanding were the biggest treasures that people could get. Druids were gone for a long time before the Romans conquered Britain. But still. Those people's spirit remains in Stonehenge. And other stone rings. Those things should represent something timeless to people. They tell tales about mysterious people who ruled northern Europe but vanished before Caesar arrived in Britain.

Thursday, August 28, 2025

Fiskars Iroworks village.

Fiskars Ironworks village is one of the most handsome travel destinations in Raasepori City, Uusimaa, Finland. The village itself is perfect 19th. century ironworks environment. Today, there are lives artists and some other people. The village itself is on the shores of the River of Fiskars. Houses form an entirety that is like a wall, and that forms communality in that village. That thing was meant to make a “we” spirit in that area. And that helped to keep outsiders out in the ironworks.

The map ahead introduces. How iroworks village is made at the shores of the river. The village itself is not too large. That’s a good place to walk and look at things that belong to the past. The fact is that the place is also quite commercial. Because keeping the place in good condition requires money. And when we are in that village outside the holidays, the feeling is like staying on the island of the past.

Things like piracy were a problem in the past. And those models were confidential. Most people who lived in that ironworks village in the 19th century. Were foreigners. That means those people were quite isolated. The people who worked in that place had a long day. The reason for that was that long working days kept those people out of fights and drinking. The superiors were very segregated.

They lived in their own nice houses. The regular workers lived outside their living areas. That helped to keep the higher-ranking members and their children away from the workers' influence. One of the reasons for a long working day was that this kept workers away from books. The payments were given in the form of money, alcohol, and corn. Money was shared from the office. That was at the edge of the village. That denied workers to see when money came. And they didn’t see the details of the money wagons. And they didn’t share that information with bandits.

There was also internal money in that ironworks village. That internal money, or a polette, was meant to be used in a small boutique. I think that the prices were lower if workers used pollettes. That thing binds those workers to the ironworks villages. Because those polettes were not money, and they could be used only in the ironworks’ shops that kept workers out of the local bars. Those workers didn’t communicate with outsiders very much.

While ironworks operated. That small village was very isolated. And that helped to keep business out of the eyes of curious eyes. Things like a nice car kept the patron isolated and away from the workers' circles. The company brought that car in the 1920s. It was meant to show the value and position of the patron. That village is a very well-preserved remnant of the industry that began in the 17th century.

The area itself is interesting. There are many small boutiques, and it’s a nice place to visit in summer. There are a couple of hotels. And that means you can visit for a night. And if you are an artist, you can rent a room or a house in that area. The Fiskars ironworks is part of the past in modern times. The time seems to stop in that place. In the summertime, there are lots of people. But after the holidays, the area is like a breath of old times in the middle of the new times.